Archive for April, 2016

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Poetry Month: Pleasures Of The Damned

April 25, 2016

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I still had a few lingering thoughts about Poetry Month, so I thought I’d run my 2008 review of Charles Bukowski’s Pleasures Of The Damned.  It was the poet’s final and mammoth posthumous publication.  Bukowski’s impact on free verse cannot be overstated, and without his influence, there would be no Breathing Room(s).  This review originally ran in Buffalo Rising. -Tom

As far as Charles Bukowski’s work is concerned, you either enjoy his work or you don’t. As far as I’m concerned, any artist who can pen 54 books is worth looking into. Almost two years ago, a friend of mine read a poem of his aloud, with a roaring campfire in the background, during a summertime couple’s cocktail get-together–and I was hooked for life.

I’d rather read books, listen to music or watch films from an artist who’s consistently above-par than fixate on the tiny visionaries who knock one or two dingers out of the park and then disappear. It’s a testament to the poet’s already extensive and prolific career that he passed away in 1993, and Ecco books has been publishing uncollected volumes of his work practically every year since. Even death couldn’t shut Bukowski (aka: ‘Henry Chinanski’) up. Sadly, all good things must come to an end, and The Pleasures Of The Damned: Poems, 1951-1993 (Ecco, 2007) marks the final note in a swan song the dead, drunken lout has been singing for fifteen years beyond the grave.
The final note plays like a familiar variation on an old jazz standard because a lot of work previously published in other collections makes a return visit in the pages of this fanatic-magnet of a hardcover. Bukowski’s heirs must have scoured the final drawers in his writing nook for one last run at the residual checks, as a smattering of new, previously uncollected verse can be found peppered throughout.

It doesn’t help that I just recently tore through The Roominghouse Madrigals: Early Selected Poems 1946-1966 (Ecco, 2002) along with The People Look Like Flowers At Last: New Poems (2007). Make no mistake, I don’t regret the purchase, and jump at the chance to buy any hardcover from a writer I’m enthusiastic about. It’s just a bit of a letdown to find out that I’ve already read more than seventy percent of the work within.

If you’ve read Bukowski’s work and you don’t own much of it, or if you want something literary and high-minded to show off on the coffee-table nook for your pretentious cocktail guests or in the bathroom for quick laughs and heartwarming forays into the fragility of the human soul, buy it at once. If (like me), you are systematically collecting everything the author has written and you’re starting with the larger volumes first and working your way down to the slimmer collections, you might want to hold off. There are better posthumous selections out there and they’re all marked up at boutique prices in whichever eccentric local book retailer or soulless conglomerate you can find them.

And for the uninitiated, Buk’s work is certainly worth reading. He was a champion of the underdog and an anti-elitist in the best possible sense of the term. A drunkard, a womanizer, a socially challenged citizen and a compulsive (and mostly successful) gambler at the race track, but a genius just the same. His work truly appeals to poetry lovers who think that they hate poetry. That’s how I got sucked in, and two years later, I’m still voraciously devouring every last verse in whichever books I haven’t bought yet.

Many critics bemoan the fact that his work was more structured, honest and true in the poetic sense before he become an underground sensation among skid row types, loose women and those who aren’t afraid of five to ten stiff drinks. While this may be true, the testament and the sheer weight of his own Akashic library will live on forever. His style of free verse has left a generation-spanning cacophony of enthusiasts, acolytes and derivative hacks. Present party included.

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Poetry Month: (homesick) ryan inlet

April 21, 2016

breathing room vol.I cover

I’m going to close out this little exercise with a final poem about a place that’s very dear to my heart: Rushford Lake.  Fun fact: The cover image for Breathing Room Volume I: Free Verse was a picture of my boat dock from our cabin in Rushford.  This poem found its way into Poke The Scorpion With A Sharp Stick (2011, Doubt It Publishing), my third and, in all likelihood, my final book of poetry.  I had a few lingering thoughts about the month that I might entertain next week. 

Thanks for reading!

-Tom

 

(homesick) ryan inlet

cold feet padding past

freezing linoleum

morning fog rolling down

the channel

red embers from the previous

evening’s bonfire cooling

crows caw cacophonously

carp flop out of the water lazily

coffee drips deliberately

quietly counting out the

remaining days of a vacation

my Love shifting

snoozing

tossing/turning

beautifully

first cigarette stings

delicious pang of an

a.m. buzz

1950’s space heater

kicking into first gear

near my toes

lean back into a plush

leather chair that’s been through

three or four generations

three or four different families

ashtray precariously balanced

upon the arm

smoke curling up from a green

mug with coin insignias etched

into the clay

(grandpa’s)

duck’s diving in for a landing

on the middle of a placid

liquid landing strip

curtain’s down at the folk’s cabin

crack another comic book

drop another on the stack of the

finished pile

the start of another perfect day

four left.

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Poetry Month: ampersand

April 21, 2016

Here’s another poem from breathing room vol.II: rhymes & relics (2008, Doubt It Publishing).  I’ve always been pretty fond of this one because I love the ampersand icon, the word itself and the repetition throughout.  I hope you like it too.

 

ampersand

with a twinkle in your eyes

& a spring in your step

& the way you smile (lips pursed at the corners)

& your laugh when you can’t hold it in

& the tiny hairs on the small of your back

& the little noise you make when i rub you just right

& how you fit just right in the crook of my arm

& the way you smoke your last cigarette before bed

& your scent next to me when i’m waking up

& watching you naked coming out of the shower

& into the bedroom to get your cotton pajamas

& the quick breath you take coming out of a nap

& the um-hmm you tell me when we’re sharing ice cream

& your body in my arms when you jump up and hug me

& your hair through my fingers when we’re driving home

& holding your tiny hand when we walk through the park

& how you shuffle around in the kitchen when we cook dinner together

& our cat who melts around you and can’t stand me

& the perfect fit we make on the love seat

& the other noises you make with me

& how you can eat a whole bowl of popcorn

& the quick kiss you give me when you just get home from work

& your language with your horses

& when you hog the bed

& spending hours playing computer solitaire

& shuffling bills around

& when you pop in and wrap your arms around me when i write

& how you get goofy after one mixed drink

& your jokes with your immediate family

& the way you look in a formal dress

& when you put up with my friends

& how you make omelet’s better than me

& the two cds you own

& somehow you knew it would all work out

& how you get fired up over the same things i do

& the face you make when i surprise you with a candy bar

& when you cry something breaks inside of me

& you can tease me when no one else is allowed to

& how my friends call you mrs.waters

& your big fluffy bath robe that feels like astroturf

& how bright & professional you look in ten minutes before you leave for work

& how you got me hooked on drinking coffee every day

& here you are & here i am

& you’re part of everything i do & see and i wouldn’t have it otherwise.

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Poetry Month: regardless

April 20, 2016

I’m not a fan of overly long introductions for brief poems, so I’ll make this short and to the point: I’ve always enjoyed the idea of starting out with a rigid structure thematically and then breaking it down on the page.  This poem, ‘Regardless’ from breathing room vol. II: rhymes & relics (2008, Doubt It Publishing) does exactly that.  I hope you like it.

regardless of who I am

regardless of what you say

regardless of what This is

regardless of how we feel

regardless of what happens

regardless of the war, the economy, gun control, abortion rights, the stock market,

the flight navigation of endangered birds, the way the wind blows, the trajectory of rockets, the preponderance of lint in pockets, what goes on in the mind of the timid schoolteacher and the fourteen year old boy, the death of the automobile, the death of human thought, the death of good manners, the death of organized religion, the death of a decent conversation, the death of the nuclear family as a concept, the ‘life of the mind‘, the life in the tiniest of all living organisms, the life of random interconnected & almost unseemingly impossible events & the living breathing embodiment of

 

(hope)

 

above all else

regardless of that

& the other thing

 

yet

 

&

 

still

 

here we are.

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Poetry Month: Lonely

April 19, 2016

Here’s another little ditty from Breathing Room Vol.I: Free Verse (2008, Doubt It Publishing).  While I am my own worst critic, I don’t hate this one.  We’ll hop over to a different book tomorrow.

Lonely

more often than not

we do it to ourselves

in quiet rooms

silence roaring

watching the sun

slowly race

from one end of the room

to the other

 

stretching the distance

between ourselves

and everyone else

paying more attention

to the buzzing sadness

between our ears

giving in to the little

voice of indecision

screaming itself hoarse

hiding out from

inner peace.

 

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Poetry Month: Stealing Their Spirit

April 18, 2016

In honor of poetry month, I thought it would be fun to post five poems in the next five days.  This one (‘Stealing Their Spirit’) originally appeared in ArtVoice in 2007 under the wrong title (‘Prize Fighters’).  It’s from my first book of poems Breathing Room Volume I: Free Verse (2008, Doubt It Publishing). 

 

stealing their spirit

i used to take photographs

of the girls I wanted so desperately

to sleep with.

 

there are albums filled with their

quizzical wonder

impromptu smiles

forlorn profiles

in dim lit bars

as the flash

took them by surprise.

 

these were shortly

followed by landscape

scenarios

with the muse in question

somewhere in the foreground

taken with the camera

and the man behind it.

 

then bedroom motifs

ruffled hair

morning breath and no makeup

dark sunrises where sex hid

in dawn shadows

in black & white

 

turn the page and they are gone

not a trace

no hint as to what transpired

the blossoming subject

vanished;

replaced by a new lass

a new love

as long as the 35 mm rolls contended.

 

no sign of a fight

nor glimpse of hurt feelings

drunken fumblings

discovered cheating

just rolling pastures, crisp monochrome profiles

& the sweeping ephemera

of neon bar signs, snowscapes,

bedposts, apartments in

dissarray

shortly followed by their replacement.

Read the rest of this entry ?

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Big Words I Know By Heart Episode 24: ‘Ahimsa’

April 13, 2016

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I’m always more ferocious on the show with my friends because I know they can take it.  Longtime pal and one-man-band Gregg Sansone is certainly no exception.  The kid gloves came off and the laughs broke out in the studio for this explosive, no-holds-barred episode.  Gregg knows how I operate.  Diabetes Dave stepped up to the plate for a return trip to the Co Host Hot Seat.  The chemistry between the three of us was near-perfect.  See for yourself:

Thanks are in order to producer Richard Wicka, Sansone and Diabetes Dave for bringing their A game.  If you like what you see, PLEASE SUBSCRIBE!  And don’t miss the bonus clips below!

Tom

 

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