Archive for the ‘tom waters’ Category

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Big Words I Know By Heart Episode 38: ‘Contingent’

May 4, 2017

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Despite rumors that pop up once in awhile, I have no plans or desires to be a standup comedian.  Writing humor and hosting a comedy talk show are not the same thing.  However, I have a great deal of respect and admiration for standup comics who are good at what they do and I’m always trying to figure out how their thought process works.  Kevin Thomas Jr and Jameel Key are very, very good at what they do but they approach standup from completely different directions.  Kevin has a down-to-earth humility to his delivery and his material paired with the approachability of a college instructor.  Jameel works best when he’s working blue, and his anecdotes and his jokes are so personal that they can’t possibly be anyone else’s.  Getting both of them in the same room for the same show was a case of the stars being in alignment.  This was an episode where I sat back and let these gentleman do what they do best: riff.  See for yourself:

Thanks to Kevin and Jameel for bringing their A game.  Thanks always to producer Richard Wicka for letting us barrel into the studio and hammer out the show.  #BigWordsVideo will be back in 4 weeks with country supergroup West Of The Mark!

Tom

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Big Words Video 38.1: Kevin Thomas Jr.-‘Afterglow’

May 2, 2017

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Returning guest and Co Host Jameel Key and I shot the breeze before the episode and  I handed over the Bonus Clip camerawork to him.  We both agreed that Jameel’s clip from Season 1 was bad.  Really bad.  Back then, I had Rob Bender ask Jameel about the evolution of a joke.  It was awkward and starchy.  So I figured I’d let him decide when and how to film Kevin Thomas Jr.  He started rolling right after the episode, which is typically when we all get up, stretch and breathe a sigh of relief.  The three of us had a really good dynamic during the show and Jameel ran with that.  Here’s the result:

Thanks to Jameel for circling back, Kevin for coming on and as always, producer Richard Wicka for having us.  You know how I mention SUBSCRIBING to the channel on YouTube?  For updates, new episodes, that kind of thing?  You should do that.

#BigWordsVideo will return this month with award-winning country band

West Of The Mark!

Tom

 

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Big Words I Know By Heart Episode 37: ‘Improvisation’

April 10, 2017

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Van Taylor is one of the nicest guests I’ve had on the show.  Like Ed Honeck told me, the guy’s a saint.  He’s been doing good work for the troops for over three decades, volunteering his time and talents for the Food Bank Of WNY, and he’s just a very positive human being.  Admittedly, I went easier on him when he came on than I have been with a lot of guests in the past because it would be comparable to interrogating Mother Theresa.  He’s a super nice guy.  And what’s funny is that he was originally scheduled (and agreed) to come on my audio podcast back in 2012 and…I stopped doing the audio podcast.  So it took us five years to make it work and even that took one last reschedule because he had a major surgery operation.  Van was worth the wait.  See for yourself:

Thanks to Van for being patient, the Mighty Matt Sampson for co-hosting again and the always lovely Richard Wicka for producing the show.

I’m excited to announce that ‘Buffalo’s Funniest Person’ winner Kevin Thomas will be guesting in 2 weeks with veteran comic, former guest and frequent Helium headliner Jameel Key co-piloting.

Seeya then,

Tom

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Big Words Video 37.1: Van Taylor-‘Ain’t No Thang’

April 8, 2017

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Van was kind enough to share an exclusive live performance from the ‘UB On The Green’ concert series at (obviously) the University Of Buffalo.  I told him before the show that I’m a very piano-driven person when it comes to music, and Mr. Taylor does not disappoint.  There’s a reason why he’s been a driving force in jazz music on the front lines and off around the world for over 30 years: he’s that good.  See for yourself:

If you want to see the sheer scope and variety of bonus clips for the show for the last 3 years, SUBSCRIBE to the Channel.  Oh, and you’ll get an update every time a new episode drops.

#BigWordsVideo shall return,

Tom

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Big Words I Know By Heart Episode 36: ‘Sequence’

March 31, 2017

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I went on the hunt about a month ago to find some good writers to guest on the show.  Italian novelist Gaia B. Amman came highly recommended and made it to the top of my list.  Her writing style is sharp and colorful, she’s not afraid of the camera and she’s got a great sense of humor.  Her Italian Saga series of books have a cult-like following and she’s very positive and nurturing with her fan base.  I was tying up loose ends on my research before the show and my co-host cancelled an hour and a half before taping.  Heh.  The behind-the-scenes anecdotes for the show are almost as good as the show, but I’m not going to start dishing now.  Terry Kimmel shuffled some personal engagements around in order to co host the show at the eleventh hour.  Here’s the end result:

Big thanks go out to Gaia for jumping through all the pre-show hoops and delivering a really professional #BigWordsVideo bonus clip, and for being a truly entertaining guest.  I owe Terry a large debt of gratitude for showing up under duress and bringing his A game. And as always, thanks to Producer Richard Wicka for wrapping it all up and putting a bow on it.

Please FREE SUBSCRIBE to Richard Wicka’s YouTube as well as mine (bigwordsmailbag@yahoo.com) for updates on new episodes, bonus clips and other hidden content!

That’s all, folks.

Tom

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Big Words Video 36.1: Gaia B. Amman-‘Blame It On Nico’

March 30, 2017

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Often before the studio episode I’ll give my guests the option of shooting their own Big Words Video Bonus clip in advance to save time in post-production in the studio.  Once in a blue moon, they do just that.  Author Gaia B. Amman did a great job with her Bonus clip and I joked with her that her title credits and bumper ad at the end of the clip were more professional than anything the show has ever done, and she humbly admitted that she did everything on iMovie.  Check out her reading of Chapter 1 of An Italian Adventure HERE:

One of the many things I was impressed with about Gaia was that she seems to have her marketing, publicity and audio/visual plan all figured out, so thanks to her for prepping a clip ahead of time.

#BigWordsVideo will return NEXT WEEK with jazz great Van Taylor.

Seeya soon,

Tom

 

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When Severed Ears Sing You Songs by Justin Karcher

March 14, 2017

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“Trying to create miracles for all us dumb fucks

Who just want to see one curse reversed

Before our muscles betray our bones”

-from ‘I Want Michael Fassbender to Hold My Hand and Tell Me Everything Will Be Okay…’

Chapbooks have traditionally been a signal flare or a forerunner for a larger body of work. Sometimes the flare peters out on the way down, and there are other instances where they are strung together before being combined into a bigger collection of poems. When Severed Ears Sing You Songs (2016, Ghost City Press) by Justin Karcher is more of an about-face or a stylistic sidestep after his longer Tailgating At The Gates Of Hell (2015, Ghost City Press).  Fast, funny and philosophical while simultaneously walking the tight rope between timely and timeless.

The city of Buffalo is Justin’s muse. He creates mirth and magic and wonder out of the sub-mundane, the poverty class and the lost souls in a lost city. The phenomenon to Karcher’s poems is that I wrestle cognitively with whether or not they are clever non-sequiturs strung together to suit or if all of the poems are one patchwork diatribe touching down on distinctive benders, evenings we’ve all regretted or dark corners of the city and our scarred psyches at the same time. I’m not sure I want the answer anymore, but I enjoy struggling with the riddle. And there’s a wry gallow’s humor to his work that connects with the reader in a way I haven’t seen in poetry for some time. Too often we’re weighed down with a sort of 18th-century morose self-importance in 21st century poems that shouldn’t exist.

This chapbook strikes me as a writer becoming comfortable with his style, easing into his poems like you’d slide your heel effortlessly into a pair of formal shoes. He has his voice and now he’s checking off every octave. The age-old polarities of sex and death have gotten wonderfully muddy within the pages of ‘Severed Ears’. Now we’re venturing into the ache, the loss, the regret and the existentialism of half-remembered love and the sorrow and sometimes-dread of being alive. Somehow in all of this Karcher gives me hope for the city because if it can cause so much pain, then it means more than Post-Industrialism, decline and decay.

-Tom Waters

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