Posts Tagged ‘books’

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Big Words I Know By Heart Episode 48: ‘Certified’

March 3, 2018

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Up until the show, Frank Pusateri was someone I’d travelled in the same circles with (even rubbed elbows with), but never officially met.  During my time writing bar reviews for Night Life Magazine (2000-2009), I’d been to more than my share of Night Life Music & Club Awards.  Simply put, it’s the biggest night in Buffalo for the local music community.  Everybody who’s anybody is under one roof.  This year it’s at The Cove on Thursday, March 8th.

Having just released a book (‘Only Gambling’) about a lucky streak on casino slot machines, Frank popped up on my radar again, so I took the opportunity to book him.  On top of that, he won an Emmy Award and he’s received 25 different Buffalo Music Awards including Top Pop Bassist three times in a row along with an induction into the Buffalo Music Hall Of Fame.  Frank’s written what happens to be a really entertaing read, and I told him as much.

This episode also marks the fourth time Night Life Publisher Ed Honeck has been on the show.  As I told Ed, he’s always welcome.  Between his plugs and Frank’s plugs, we had a tough time fitting them all in and even left some on the table (literally).  Check it out HERE:

Thanks to Frank, Ed and as always, producer Richard Wicka for housing my three ring circus.  Frank whipped up some great Bonus clips, so check those out further down this page.

Don’t adjust your set,

Tom

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Big Words Video 48.1: ‘Only Gambling’ & 48.2: ‘Leaf In A Storm’

March 2, 2018

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I normally ask an upcoming guest for ONE video clip to supplement the show.  Poor Frank got propositioned for two.  He’s promoting his new book ‘Only Gambling’, but I didn’t want to ignore his rich history on the Buffalo music scene.  So there you have it.  Frank’s homework was more complicated than guesting on the show!  He came through with flying colors, though.  Big Words Video 48.1 is a quick forward to Pusateri’s book complete with fancy graphics and a ticker-tape banner along the bottom read by the author.  You can get a taste for the stream-of-consciousness writing style in the book right HERE:

The flip side of the coin is an original song written & performed by Frank’s band Only Humen.  Check that one out right HERE:

A sincere thanks goes out to Only Frank for putting the time in to create two great clips.  A sincere thanks goes out to YOU when you FREE SUBSCRIBE to my YouTube Channel.  I may have said this before, but if you’re not subscribed, you’re missing more than half of what the show has to offer.  Find out what you’re missing by seeing the show in the order it was intended for, bonus clips and other additional SECRET content.

#BigWordsVideo returns in March!

Tom

 

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Big Words I Know By Heart Episode 44: ‘Tenacity’

October 30, 2017

F9F6E594-4A40-47BD-80F8-952ED04C6DD4As former guest Emil Novak said, author Gary Earl Ross is the real deal.  His bibliography is gigantic and varied, from murder mysteries to courtroom dramas to anthologies to poems to historical ‘speculative fiction’, if he hasn’t done it all, he will by the time he’s done.  While I don’t think we ever officially crossed paths in the last twenty years, we certainly travelled in a lot of the same circles, so it was really nice to finally sit down, meet the man and get into his career in depth.  Here are the results:

Thanks as usual to producer Richard Wicka for putting a bow around it, Gary for coming on and Co Host Lori Lume for making time for us.  Contrarily, I’ve known Lori since the notorious Buffalo Small Press Book Fair of ‘08 (where we got into very real and serious trouble for excessive use of a bike horn).

Hey, do us all a favor and SUBSCRIBE to the show for updates on new shows, bonus clips and other miscellany.  It’s the other red button on the YouTube dashboard.

See you all soon,

Tom

 

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Big Words Video 44.1: Gary Earl Ross-‘Afterward’

October 28, 2017

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I was almost entranced watching Gary Earl Ross read for this Bonus clip.  There are authors who don’t give readings at all in public, authors like me who stammer through their work and don’t rehearse ahead of time, and then there are authors like Gary, who reads in a calm, cool and collected manner, pacing himself, reading for an audience and hammering on the right passages for dramatic impact.  I’m not sure if he picked up that talent during his years as a professor, throughout all of his years at scheduled readings, or if he’s simply at peace with himself and his finished products.  It made for a great clip, though.  Here goes:

To give the man one more plug for good measure, you can find out more about Gary’s books, plays and career at: garyearlross.net

#BigWordsVideo shall return…

Tom

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Big Words I Know By Heart Episode 36: ‘Sequence’

March 31, 2017

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I went on the hunt about a month ago to find some good writers to guest on the show.  Italian novelist Gaia B. Amman came highly recommended and made it to the top of my list.  Her writing style is sharp and colorful, she’s not afraid of the camera and she’s got a great sense of humor.  Her Italian Saga series of books have a cult-like following and she’s very positive and nurturing with her fan base.  I was tying up loose ends on my research before the show and my co-host cancelled an hour and a half before taping.  Heh.  The behind-the-scenes anecdotes for the show are almost as good as the show, but I’m not going to start dishing now.  Terry Kimmel shuffled some personal engagements around in order to co host the show at the eleventh hour.  Here’s the end result:

Big thanks go out to Gaia for jumping through all the pre-show hoops and delivering a really professional #BigWordsVideo bonus clip, and for being a truly entertaining guest.  I owe Terry a large debt of gratitude for showing up under duress and bringing his A game. And as always, thanks to Producer Richard Wicka for wrapping it all up and putting a bow on it.

Please FREE SUBSCRIBE to Richard Wicka’s YouTube as well as mine (bigwordsmailbag@yahoo.com) for updates on new episodes, bonus clips and other hidden content!

That’s all, folks.

Tom

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Big Words Video 36.1: Gaia B. Amman-‘Blame It On Nico’

March 30, 2017

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Often before the studio episode I’ll give my guests the option of shooting their own Big Words Video Bonus clip in advance to save time in post-production in the studio.  Once in a blue moon, they do just that.  Author Gaia B. Amman did a great job with her Bonus clip and I joked with her that her title credits and bumper ad at the end of the clip were more professional than anything the show has ever done, and she humbly admitted that she did everything on iMovie.  Check out her reading of Chapter 1 of An Italian Adventure HERE:

One of the many things I was impressed with about Gaia was that she seems to have her marketing, publicity and audio/visual plan all figured out, so thanks to her for prepping a clip ahead of time.

#BigWordsVideo will return NEXT WEEK with jazz great Van Taylor.

Seeya soon,

Tom

 

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When Severed Ears Sing You Songs by Justin Karcher

March 14, 2017

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“Trying to create miracles for all us dumb fucks

Who just want to see one curse reversed

Before our muscles betray our bones”

-from ‘I Want Michael Fassbender to Hold My Hand and Tell Me Everything Will Be Okay…’

Chapbooks have traditionally been a signal flare or a forerunner for a larger body of work. Sometimes the flare peters out on the way down, and there are other instances where they are strung together before being combined into a bigger collection of poems. When Severed Ears Sing You Songs (2016, Ghost City Press) by Justin Karcher is more of an about-face or a stylistic sidestep after his longer Tailgating At The Gates Of Hell (2015, Ghost City Press).  Fast, funny and philosophical while simultaneously walking the tight rope between timely and timeless.

The city of Buffalo is Justin’s muse. He creates mirth and magic and wonder out of the sub-mundane, the poverty class and the lost souls in a lost city. The phenomenon to Karcher’s poems is that I wrestle cognitively with whether or not they are clever non-sequiturs strung together to suit or if all of the poems are one patchwork diatribe touching down on distinctive benders, evenings we’ve all regretted or dark corners of the city and our scarred psyches at the same time. I’m not sure I want the answer anymore, but I enjoy struggling with the riddle. And there’s a wry gallow’s humor to his work that connects with the reader in a way I haven’t seen in poetry for some time. Too often we’re weighed down with a sort of 18th-century morose self-importance in 21st century poems that shouldn’t exist.

This chapbook strikes me as a writer becoming comfortable with his style, easing into his poems like you’d slide your heel effortlessly into a pair of formal shoes. He has his voice and now he’s checking off every octave. The age-old polarities of sex and death have gotten wonderfully muddy within the pages of ‘Severed Ears’. Now we’re venturing into the ache, the loss, the regret and the existentialism of half-remembered love and the sorrow and sometimes-dread of being alive. Somehow in all of this Karcher gives me hope for the city because if it can cause so much pain, then it means more than Post-Industrialism, decline and decay.

-Tom Waters

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