Posts Tagged ‘books’

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Big Words I Know By Heart Episode 36: ‘Sequence’

March 31, 2017

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I went on the hunt about a month ago to find some good writers to guest on the show.  Italian novelist Gaia B. Amman came highly recommended and made it to the top of my list.  Her writing style is sharp and colorful, she’s not afraid of the camera and she’s got a great sense of humor.  Her Italian Saga series of books have a cult-like following and she’s very positive and nurturing with her fan base.  I was tying up loose ends on my research before the show and my co-host cancelled an hour and a half before taping.  Heh.  The behind-the-scenes anecdotes for the show are almost as good as the show, but I’m not going to start dishing now.  Terry Kimmel shuffled some personal engagements around in order to co host the show at the eleventh hour.  Here’s the end result:

Big thanks go out to Gaia for jumping through all the pre-show hoops and delivering a really professional #BigWordsVideo bonus clip, and for being a truly entertaining guest.  I owe Terry a large debt of gratitude for showing up under duress and bringing his A game. And as always, thanks to Producer Richard Wicka for wrapping it all up and putting a bow on it.

Please FREE SUBSCRIBE to Richard Wicka’s YouTube as well as mine (bigwordsmailbag@yahoo.com) for updates on new episodes, bonus clips and other hidden content!

That’s all, folks.

Tom

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Big Words Video 36.1: Gaia B. Amman-‘Blame It On Nico’

March 30, 2017

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Often before the studio episode I’ll give my guests the option of shooting their own Big Words Video Bonus clip in advance to save time in post-production in the studio.  Once in a blue moon, they do just that.  Author Gaia B. Amman did a great job with her Bonus clip and I joked with her that her title credits and bumper ad at the end of the clip were more professional than anything the show has ever done, and she humbly admitted that she did everything on iMovie.  Check out her reading of Chapter 1 of An Italian Adventure HERE:

One of the many things I was impressed with about Gaia was that she seems to have her marketing, publicity and audio/visual plan all figured out, so thanks to her for prepping a clip ahead of time.

#BigWordsVideo will return NEXT WEEK with jazz great Van Taylor.

Seeya soon,

Tom

 

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When Severed Ears Sing You Songs by Justin Karcher

March 14, 2017

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“Trying to create miracles for all us dumb fucks

Who just want to see one curse reversed

Before our muscles betray our bones”

-from ‘I Want Michael Fassbender to Hold My Hand and Tell Me Everything Will Be Okay…’

Chapbooks have traditionally been a signal flare or a forerunner for a larger body of work. Sometimes the flare peters out on the way down, and there are other instances where they are strung together before being combined into a bigger collection of poems. When Severed Ears Sing You Songs (2016, Ghost City Press) by Justin Karcher is more of an about-face or a stylistic sidestep after his longer Tailgating At The Gates Of Hell (2015, Ghost City Press).  Fast, funny and philosophical while simultaneously walking the tight rope between timely and timeless.

The city of Buffalo is Justin’s muse. He creates mirth and magic and wonder out of the sub-mundane, the poverty class and the lost souls in a lost city. The phenomenon to Karcher’s poems is that I wrestle cognitively with whether or not they are clever non-sequiturs strung together to suit or if all of the poems are one patchwork diatribe touching down on distinctive benders, evenings we’ve all regretted or dark corners of the city and our scarred psyches at the same time. I’m not sure I want the answer anymore, but I enjoy struggling with the riddle. And there’s a wry gallow’s humor to his work that connects with the reader in a way I haven’t seen in poetry for some time. Too often we’re weighed down with a sort of 18th-century morose self-importance in 21st century poems that shouldn’t exist.

This chapbook strikes me as a writer becoming comfortable with his style, easing into his poems like you’d slide your heel effortlessly into a pair of formal shoes. He has his voice and now he’s checking off every octave. The age-old polarities of sex and death have gotten wonderfully muddy within the pages of ‘Severed Ears’. Now we’re venturing into the ache, the loss, the regret and the existentialism of half-remembered love and the sorrow and sometimes-dread of being alive. Somehow in all of this Karcher gives me hope for the city because if it can cause so much pain, then it means more than Post-Industrialism, decline and decay.

-Tom Waters

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Big Words I Know By Heart Episode 34: ‘Cineaste’

January 28, 2017

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Much like previous guest, playwright Donna Hoke, film director and author Greg Lamberson’s list of accomplishments were varied, massive and somewhat intimidating.  He’s written and published around 15 books, he’s either written, produced and/or directed over two dozen films.  And to top it all off, he co-chairs the incredibly popular Buffalo Dreams film festival every year, which draws films and directors from around the world to our fair town.  I can be a little OCD when it comes to prepping for the show, so in a case like Greg’s, I had to get a handle on the broad strokes rather than lose myself in his gargantuan back catalogue.  Lamberson turned out to be much more charming during the interview than I anticipated, and there was a mutual respect between the two of us that I think translated in the episode.  Here it is:

Thanks to Lamberson for taking time out of his insanely busy schedule to sit down with me for a half an hour.  Thanks also to Henry Gale for being a little bit better in the Co Host Hot Seat the second time around.  And of course to producer Richard Wicka for bringing it all together and wrapping a bow around it.  Do us ALL a favor and Like, Share, Favorite, +1 and Heart the episode depending on what social medias you’re actively a part of.

See you again in 2 weeks,

Tom

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Travesty Now Available!

August 19, 2016

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I’m pleased to announce that Travesty, my 12th book, has been released!  After five years of writing it on and off (before and after Icarus On The Mend, my limited print run memoir), proofreading, polishing and then collaborating with Mark McElligott on the wraparound cover art as well as graphic designer Bill Dyson on the interior, fonts and book design, Travesty is live and ready for purchase.  You can buy the book direct from lulu.com HERE:

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There’s also a permanent Quick Link on this site’s ‘Link Section’ for return visitors.  For reasons having mostly to do with my work schedule, I will not be actively promoting the book until late October, so you can buy BEFORE the official launch on lulu. Amazon.com, B&N.com and other fine retailers in the mean time.

This book was a direct sequel to my 2011 humor collection Mockery, so if you enjoyed it, you can get more of what you loved here.  Every book evolves in some unpredictable way while I’m working on it, and this one went from my trademark psychotic rage-based rants into more of a throwback silliness that I had when I initially started writing in my teens.  It’s also the first collection that was laid out according to theme instead of a chronological table of contents.  Three essays were cut, the proofreading process was rigorous and the final edition underwent a font size expansion for those of us who don’t like to squint.  I’m very proud of it, and McElligott and Dyson both did a terrific job with the small suggestions and concepts I bounced off of them.

In addition, this is the first Doubt It Publishing title to be launched with it’s own ISBN number.  That may not mean much to you, but that’s a serious sea change in the way I’m doing business and the way the book is distributed.  At 40 years old with 12 books behind me, I’ve started making an effort to preserve what I have while planning for the future.  Travesty is not my final book, but I’m taking a break before I chart a new course.  I hope you enjoy it.  This won’t be the last time you hear about it.  Please help spread the word by Sharing the link on your social media, ‘Like’ the book on Facebook,  List the book if you’re a Goodreads member and by all means, tell all your friends!

Sincerely,

Tom

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Travesty Inbound!

July 20, 2016

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Hey all!

After five years of working on the book on and off, rigorous rewrites, edits and scrubbing for typos, #Travesty, my eleventh book of humor, is almost ready!  It clocks in at a respectable 204 pages and it’s going to retail at $19.99.  Above, you’ll see the gorgeous wraparound cover with art by Mark McElligott and fonts William Dyson II.  I’m really excited about this book.  I’ve put a lot of myself into this book.  I can’t wait to share it with all of you, but not yet.  It’ll be ready this fall from Doubt It Publishing!

Stay Tuned,

Tom

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Normal Consciousness Will Be Resumed: Lucifer Creator Mike Carey In His Own Words

January 21, 2016

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Author’s Note: Everything old is new again.  With ‘Lucifer’ hitting the small screen next week on Fox, I felt it was appropriate to dust off my print interview with creator Mike Carey from my 2007 book If They Can’t Take A Joke (Authorhouse).  Nine years later, Lucifer remains my favorite comic series of all time.  Fox better not fuck it up.  -Tom 

For the uninitiated, comic writer Mike Carey is the second coming as far as Neil Gaiman’s fantasy masterpiece Sandman is concerned. After the Sandman library ended its epic run, he resurrected Samael, also known as the Morning Star, better known as Lucifer. The Eisner Award-Winning Vertigo title has gone on to a great deal of financial and critical success and, never one to rest on his laurels, Carey has kept busy writing a number of inspired story arcs for John Constantine: Hellblazer, Batman, and the one shot hardcover The Furies.

Lucifer: The Wolf Beneath The Tree (DC/Vertigo) explores the series roots while rushing towards its sad but inevitable conclusion. Writer/Creator Mike Carey and artists Peter Gross, Ryan Kelly, P. Craig Russell and Ted Naifeh delve into a fable behind the construction of the kingdom of heaven and what happened to Lilith after her exile from the garden of Eden. Furthermore, the volume follows Lucifer’s continuing struggle to escape the grip and shadow cast by his father and his battle for universal autonomy.
For the uninitiated, the series is a high watermark for quality in adult graphic fantasy, chronicling the Morning Star’s resignation from the duties of Hell and subsequent dealings on the earth and beyond. Over the course of the series, Lucifer has double crossed God, created a world in his own image, battled the heavenly host on his own terms and tangled with more than his share of adversaries while somehow managing to come away stronger with a clever remark in tow. The dialogue is incomparable for the medium, and the series is a lightning rod for some of the most talented artists in the business. In terms of fantasy, there are no substitutes for Lucifer.
I had the opportunity to speak with Mr.Carey on an overseas call from his London home regarding his writing, his love for comics, and his obsession with myths, fables and fairy tales.

TW: Have you put a great deal of research into the occult and demonology in order to write Lucifer, or is it part of a life long fascination with myths and fables in general?

MC: It’s more the second than the first. It’s a lifelong fascination. I do specific research for specific storylines, but I was a lit major at university (Oxford) and I did Latin and Greek at school, so I’ve always been sort of interested in myth. I’ve always been saturated with the myths of certainly Mediterranean cultures. As I’ve sort of gone through my first degree and my higher degree I continue to sort of revisit the themes I was fascinated by.
To some extent, it comes from my weird background. I was born in Liverpool, and my dad was Catholic and my mom was Anglican and this is in one of the most sectarian cities on the British main lands. Mainly second and third generation Irish immigrants. So religion was a big part of my childhood and yet I was slightly detached from it because I came from this family where there was a kind of religious truce going on. And this was a city that was experiencing a religious Cold War. It was a part of my upbringing without my ever being a believer.

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