Posts Tagged ‘interview’

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Big Words I Know By Heart Episode 49: ‘Scoville’

March 31, 2018

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Wing King Drew Cerza was originally on the boards all the way back in 2014.  There was a massive scheduling issue though, as Drew had a press conference the same day.  So we finally got around to making it happen this month and Cerza did not disappoint.  The founder of the National Buffalo Wing Festival was a real sport with my line of questioning, he was charming and he was genuinely as interested in chicken wings as I am.  As someone who’s had chicken wings every single week since I was 17, Drew’s Festival is right up my alley.  Co Host Matt Sampson also saved the day by filling the Hot Seat on short notice, so it turned into a pretty damned entertaining episode.  And for those who don’t know, ‘Scoville’ is the official heat scale for spicy foods and peppers named after the man who researched it.  Here it is:

Thanks to Drew, Sampson, and of course producer Richard Wicka for holding it all together.  #BigWordsVideo is taking the month of April off, so have a Happy Easter and we’ll see you in May!

Tom

 

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Big Words I Know By Heart Episode 43: ‘Exuberance’

September 30, 2017

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I stumbled onto Rochester comedienne Madelein Smith’s standup about a year ago.  After seeing her Julie Andrew’s singing Lil’ Kim bit, I knew I had to at least try to get her on the show.  She has a, well, an exuberance on stage that’s outstanding.  Her on-stage persona is strong, theatrical, charismatic and very, very funny.  This was a strong episode, and Mark McElligott is a perennial co-host who can roll with the punches no matter who the guest is.  Check it out:

Thanks to producer Richard Wicka, Madelein and McElligott for helping to make a solid show.  Thanks are also in order to musician Roger Pleasant of UpRise studios for a new show theme rendition that, unfortunately, didn’t come through on the sound boards.  We’ll try harder next time.

See you in a month!

Tom

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Big Words I Know By Heart Episode 38: ‘Contingent’

May 4, 2017

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Despite rumors that pop up once in awhile, I have no plans or desires to be a standup comedian.  Writing humor and hosting a comedy talk show are not the same thing.  However, I have a great deal of respect and admiration for standup comics who are good at what they do and I’m always trying to figure out how their thought process works.  Kevin Thomas Jr and Jameel Key are very, very good at what they do but they approach standup from completely different directions.  Kevin has a down-to-earth humility to his delivery and his material paired with the approachability of a college instructor.  Jameel works best when he’s working blue, and his anecdotes and his jokes are so personal that they can’t possibly be anyone else’s.  Getting both of them in the same room for the same show was a case of the stars being in alignment.  This was an episode where I sat back and let these gentleman do what they do best: riff.  See for yourself:

Thanks to Kevin and Jameel for bringing their A game.  Thanks always to producer Richard Wicka for letting us barrel into the studio and hammer out the show.  #BigWordsVideo will be back in 4 weeks with country supergroup West Of The Mark!

Tom

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Big Words Video 38.1: Kevin Thomas Jr.-‘Afterglow’

May 2, 2017

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Returning guest and Co Host Jameel Key and I shot the breeze before the episode and  I handed over the Bonus Clip camerawork to him.  We both agreed that Jameel’s clip from Season 1 was bad.  Really bad.  Back then, I had Rob Bender ask Jameel about the evolution of a joke.  It was awkward and starchy.  So I figured I’d let him decide when and how to film Kevin Thomas Jr.  He started rolling right after the episode, which is typically when we all get up, stretch and breathe a sigh of relief.  The three of us had a really good dynamic during the show and Jameel ran with that.  Here’s the result:

Thanks to Jameel for circling back, Kevin for coming on and as always, producer Richard Wicka for having us.  You know how I mention SUBSCRIBING to the channel on YouTube?  For updates, new episodes, that kind of thing?  You should do that.

#BigWordsVideo will return this month with award-winning country band

West Of The Mark!

Tom

 

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Big Words I Know By Heart Episode 37: ‘Improvisation’

April 10, 2017

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Van Taylor is one of the nicest guests I’ve had on the show.  Like Ed Honeck told me, the guy’s a saint.  He’s been doing good work for the troops for over three decades, volunteering his time and talents for the Food Bank Of WNY, and he’s just a very positive human being.  Admittedly, I went easier on him when he came on than I have been with a lot of guests in the past because it would be comparable to interrogating Mother Theresa.  He’s a super nice guy.  And what’s funny is that he was originally scheduled (and agreed) to come on my audio podcast back in 2012 and…I stopped doing the audio podcast.  So it took us five years to make it work and even that took one last reschedule because he had a major surgery operation.  Van was worth the wait.  See for yourself:

Thanks to Van for being patient, the Mighty Matt Sampson for co-hosting again and the always lovely Richard Wicka for producing the show.

I’m excited to announce that ‘Buffalo’s Funniest Person’ winner Kevin Thomas will be guesting in 2 weeks with veteran comic, former guest and frequent Helium headliner Jameel Key co-piloting.

Seeya then,

Tom

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Big Words I Know By Heart Episode 36: ‘Sequence’

March 31, 2017

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I went on the hunt about a month ago to find some good writers to guest on the show.  Italian novelist Gaia B. Amman came highly recommended and made it to the top of my list.  Her writing style is sharp and colorful, she’s not afraid of the camera and she’s got a great sense of humor.  Her Italian Saga series of books have a cult-like following and she’s very positive and nurturing with her fan base.  I was tying up loose ends on my research before the show and my co-host cancelled an hour and a half before taping.  Heh.  The behind-the-scenes anecdotes for the show are almost as good as the show, but I’m not going to start dishing now.  Terry Kimmel shuffled some personal engagements around in order to co host the show at the eleventh hour.  Here’s the end result:

Big thanks go out to Gaia for jumping through all the pre-show hoops and delivering a really professional #BigWordsVideo bonus clip, and for being a truly entertaining guest.  I owe Terry a large debt of gratitude for showing up under duress and bringing his A game. And as always, thanks to Producer Richard Wicka for wrapping it all up and putting a bow on it.

Please FREE SUBSCRIBE to Richard Wicka’s YouTube as well as mine (bigwordsmailbag@yahoo.com) for updates on new episodes, bonus clips and other hidden content!

That’s all, folks.

Tom

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Big Words Video 34.1: Greg Lamberson-‘Fun Bags’

January 28, 2017

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Coming hot off the heels of the runaway success of ‘Killer Rack’ and toiling away at post-production on ‘Johnny Gruesome’, I wasn’t sure what kind of Bonus clip guest Greg Lamberson cooked up.  He didn’t disappoint.  What follows is the musical sequence for the song ‘Fun Bags’ from the aforementioned ‘Killer Rack’ featuring Troma legend Lloyd Kauffman.  Fun fact: I interviewed Kauffman while he was on location in Buffalo for the movie ‘Poultrygeist’ for Night Life magazine way, way back in 2004 or 2005.  I’m pretty sure he’s still got the print interview on his web site, and if you can’t find it there, it’s still ricocheting around on Acid Logic.  At any rate, ROLL THAT CLIP!

Thanks again to Lamberson, Co Host Henry Gale and the frequently delightful Richard Wicka for producing our episode.  Oh yeah, and SUBSCRIBE to my channel on YouTube for more bonus clips, more bonus content and a lot of delectable secrets you won’t find any way else.

#BigWordsVideo shall return.  In two weeks.  With Taylor Made Jazz musician Van Taylor!

Seeya soon,

Tom

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Big Words I Know By Heart Episode 23: ‘Schadenfreude’

March 16, 2016

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The Buffalo standup comedy scene is on fire, and Allie Brady is one of the comics who’s right at the center of it.  After interviewing 3 comics so far (with more on the horizon), it’s fascinating to explore each of their individual voices, styles and, by extension, their acts.  Brady has this slight pause before she delivers a brutal politically incorrect punchline that I really admire.  In the studio, she was fast, relentless and hilarious.  To top it off, her website (stilltoosoon.blogspot.com) is one of the funniest projects I’ve read online in a very, very long time.  Britney Hoffman was a little deer-in-the-headlights in the Co Host Hot Seat, but I thought she rounded out the dynamic quite nicely.  Roll that clip!

A big thanks goes out to Brady, Hoffman and the always-lovely Richard Wicka for putting it all together.  PLEASE SUBSCRIBE for new shows, bonus clips and other additional content.

Tom

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Big Words I Know By Heart Episode 22: ‘Balladeer’

February 24, 2016

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John ‘Dr. Dirty’ Valby is pretty close to my heart.  His sense of humor and his career are ideal for the show.  The man really is a living legend, and I’m pretty honored that he promised to come back on the show every year for the long haul.  So far, I’ve tried to avoid a ‘swinging door’ policy for guests, opting instead to let former guests circle back to co-host or welcoming good co-hosts back.  John Valby is the only exception.  He’s funny, he’s talented and he’s the opposite of politically correct.  Again, he’s perfect for the show.  With a last-minute drop-out in the Co Host Hot Seat, Night Life Publisher (and longtime pal) Ed Honeck came through in a pinch.  They have some shared history together which helped with the overall dynamic and comfort level.  You can watch Episode 22 of #BigWordsVideo right HERE:

Thanks are in order to Valby, Honeck and Richard Wicka for being so accomodating.  PLEASE SUBSCRIBE to the Big Words I Know By Heart Channel on Youtube for bonus clips, new episodes and other associated buffoonery.  This was a fun episode to shoot.  I look forward to having John back on next February.

Tom

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Normal Consciousness Will Be Resumed: Lucifer Creator Mike Carey In His Own Words

January 21, 2016

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Author’s Note: Everything old is new again.  With ‘Lucifer’ hitting the small screen next week on Fox, I felt it was appropriate to dust off my print interview with creator Mike Carey from my 2007 book If They Can’t Take A Joke (Authorhouse).  Nine years later, Lucifer remains my favorite comic series of all time.  Fox better not fuck it up.  -Tom 

For the uninitiated, comic writer Mike Carey is the second coming as far as Neil Gaiman’s fantasy masterpiece Sandman is concerned. After the Sandman library ended its epic run, he resurrected Samael, also known as the Morning Star, better known as Lucifer. The Eisner Award-Winning Vertigo title has gone on to a great deal of financial and critical success and, never one to rest on his laurels, Carey has kept busy writing a number of inspired story arcs for John Constantine: Hellblazer, Batman, and the one shot hardcover The Furies.

Lucifer: The Wolf Beneath The Tree (DC/Vertigo) explores the series roots while rushing towards its sad but inevitable conclusion. Writer/Creator Mike Carey and artists Peter Gross, Ryan Kelly, P. Craig Russell and Ted Naifeh delve into a fable behind the construction of the kingdom of heaven and what happened to Lilith after her exile from the garden of Eden. Furthermore, the volume follows Lucifer’s continuing struggle to escape the grip and shadow cast by his father and his battle for universal autonomy.
For the uninitiated, the series is a high watermark for quality in adult graphic fantasy, chronicling the Morning Star’s resignation from the duties of Hell and subsequent dealings on the earth and beyond. Over the course of the series, Lucifer has double crossed God, created a world in his own image, battled the heavenly host on his own terms and tangled with more than his share of adversaries while somehow managing to come away stronger with a clever remark in tow. The dialogue is incomparable for the medium, and the series is a lightning rod for some of the most talented artists in the business. In terms of fantasy, there are no substitutes for Lucifer.
I had the opportunity to speak with Mr.Carey on an overseas call from his London home regarding his writing, his love for comics, and his obsession with myths, fables and fairy tales.

TW: Have you put a great deal of research into the occult and demonology in order to write Lucifer, or is it part of a life long fascination with myths and fables in general?

MC: It’s more the second than the first. It’s a lifelong fascination. I do specific research for specific storylines, but I was a lit major at university (Oxford) and I did Latin and Greek at school, so I’ve always been sort of interested in myth. I’ve always been saturated with the myths of certainly Mediterranean cultures. As I’ve sort of gone through my first degree and my higher degree I continue to sort of revisit the themes I was fascinated by.
To some extent, it comes from my weird background. I was born in Liverpool, and my dad was Catholic and my mom was Anglican and this is in one of the most sectarian cities on the British main lands. Mainly second and third generation Irish immigrants. So religion was a big part of my childhood and yet I was slightly detached from it because I came from this family where there was a kind of religious truce going on. And this was a city that was experiencing a religious Cold War. It was a part of my upbringing without my ever being a believer.

Read the rest of this entry ?

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Big Words I Know By Heart Episode 18: ‘Mythos’

January 14, 2016

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Graham Nolan has been on my bucket list since I started Big Words Video.

He’s a phenomenal artist, a veteran from DC Comics and the man co-created Batman’s Bane, for god’s sakes.  Delving into the research and prep for the episode, I gained an even greater appreciation for his career.  A 6 year run on Detective Comics, 6 on ‘The Phantom’ comic strip, 12 years on ‘Rex Morgan: M.D.’, a creator-owned web comics (‘Sunshine State’)…the list goes on and on and on.  I saw this a lot, but it was an honor to sit down at the same table with Nolan.  We take for granted that we have such an artistic visionary in our own back yard.  Michael Hoffert Jr. was a natural fit for the Co Host Hot Seat on this one because he knows more about chapter and verse in the comic industry than I ever will.  Just watch the episode for yourself, will ya?

A huge thanks goes out to Mr. Nolan for not only making the time to do the show, but braving some pretty gnarly ‘Lake-Enhanced’ (the new buzz term the meteorologists are using this year) snow on the drive out and back.  Thanks are also in order to producer Richard Wicka and Michael Hoffert for knowing the biz back to front.  If you want, did you know that you can SUBSCRIBE to the Big Words I Know By Heart Channel on YouTube?  For FREE?  Well you can.  I’ve also heard that it’s possible to LIKE & SHARE these clips on the YouTube interface.  You should try it.  You really should.  There’s another episode en route in less than two weeks, so we’ll all see you soon!

Tom

 

 

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Big Words I Know By Heart Episode 15: ‘Siren’

November 6, 2015
Publicity Still by producer Richard Wicka

Publicity Still by producer Richard Wicka

As far as bucket lists for Buffalo celebrities guests go, Alison Pipitone was at the top of the pops.  She’s incredibly talented, she’s got ten albums under her belt and she’s never compromised her artistic integrity.  Her talents as a songwriter/lyricist are inspiring, she’s amazingly humble for someone so accomplished and her ear for production in the studio is the best I’ve ever heard around here.  Enough gushing, though.  Here’s the episode:

Don’t forget to Like, Share and Subscribe!

Thanks (as always) to producer Richard Wicka for being the man behind the curtain, longtime pal (and one-time employee) Brian Platter for co-hosting, and Alison Pipitone for earning another lifetime fan.  She was a great interview and I can’t wait to buy the rest of her ten albums!

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Rapid Fire: Interview With Brian Azzarello from If They Can’t Take A Joke (2007, Authorhouse)

October 8, 2015

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Brian Azzarello is a tricky interview. I knew this going in, and tried to set up enough pitfalls and death traps along the way that he’d be bound to open up. Who knew that grilling was the topic that would wind him up and get him to open up a bit? The comic writer has turned the industry on it’s ear over the last five years, creating the award winning crime series 100 Bullets and applying his own personal hard-boiled genius to Batman, Superman, The Incredible Hulk (Banner), Hellblazer and Lex Luthor, infuriating some traditionalist fans and picking up some more of his own at the same time. He is to comics what Lon Chaney was to method actors. He dives into his dialogue head first and soaks it up on subways, street corners and dive bars. He knows the street and the words his characters bluster and swear and shout with is genuine. He’s also released Johnny Double, re-tooled Marvel’s Cage and worked on El Diablo. To be short and sweet (which is the way he prefers to write his dialogue and the way he prefers his music, conversation, and art), he is a bitch to interview. He’s squirrely and you need to move mountains very quickly to get past those defenses.

TW: Who was your inspiration for Agent Graves?
BA: Who? Lee Marvin.
TW: You’re obviously a fan of hard boiled crime fiction. Would you care to name some influences?
BA: Oh, god, just the usual suspects, I suppose. Thompson, Wolvert, Goodis. Goodis more than the rest.
TW: You’ve been known to listen to dialogue on subways and in bars. Do you research specific locales for specific titles and has it ever put you in any dangerous situations?
BA: No. No, it’s never…I’ve never been in a situation I couldn’t handle.
TW: How many other creator-based projects are you hiding?
BA: Hiding? I’m pretty open with ‘em to be honest with you, you know? I’ve got a series coming out in October called Loveless, which is a Western. It’s gonna be another ongoing series like 100 Bullets. It’s about a husband and wife…a pair of outlaws during Reconstruction. We’re calling it a noir spaghetti western.
TW:Are you serious about hanging up the capes after your tour of duty with Superman, Batman and Lex Luthor?
BA: Am I serious? Hell yes.
TW: You’ve been well praised for realistic and faithful dialogue of the underworld. Are you a fan of David Mamet?
BA: Yeah. Yeah, sure. Not everything. (laughs)
TW: Who are your favorite country singers?
BA: You mean like current?
TW: All time, current, if you want to go back to the great storytellers or current day…
BA: All time, it’s gotta be Cash. Current, I like Jim White a lot, and definitely Steve Earle.
TW: Cage was phenomenal.
BA: Thanks.
TW: Why did you decide to leave the ending open, though, and do you have any plans to revisit the character?
BA: No, he’s dead, c’mon. I’m…maybe. I think Marvel took that character in a different direction, though.
TW: Between your script and Corben’s artwork, it really blew me away.
BA: Well, you really can’t go wrong with the source material. I just basically did ‘Red Harvest’.
TW: What’s your working relationship like with Eduardo Risso? Have you met him yet at this point?
BA: Oh yeah, I have, we’ve met. We see each other basically about once a year. It’s great, you know? We communicate mostly through email.
TW: Do you have any plans to work with Richard Corben again?
BA: We’ve talked about it, yeah. I definitely would like to work with Richard again.
TW: You’ve been very vocal about fan boys in the past. Why do you think they hang on to their franchises so tightly?
BA: (long laugh) You mean…
TW: A lot of them have complained in the past about directions that you’ve taken with Hellblazer or some of the other big titles for DC and Marvel. They piss and moan about…
BA: They want what they remember, you know? And basically, yeah, it’s not what you remember, or what they remember. It’s…for a lot of these people, it’s like, comics, it’s like…they still read the things?
But they’re reading it for something that they’re not gonna get. They’re chasing that first orgasm again.
TW: What’s your favorite whiskey?
BA: I can’t drink the stuff anymore.
TW: Not even Knob Creek?
BA: Nah, that was my favorite. No man, I just look at a shot glass of whiskey and I get a hangover these days. Now I drink tequila.
TW: That’s how you wake up in another state with no pants.
BA: That isn’t necessarily a bad thing!
TW: How did you plan John Constantine’s cross-country trip initially?
BA: Initially, I just threw him in prison. I didn’t plan to move him anywhere.
TW: You write a lot of your best scenes in a bar environment. Do you write any of your outlines or scripts while you’re in bars?
BA: I used to, but I really don’t anymore. Well, if I’m outta town, yeah, but I can’t do that here anymore.
TW: Too loud?
BA: No. Like…I don’t know, I get interrupted.
TW: Hard Time was one of the best story arcs in the series. Did you have a ball writing the script or is it more like a job when you’re assigned to an established series?
BA: No, definitely it was not a job. I had fun writing Constantine. A lot of fun.
TW: Any more hints on the finale to 100 Bullets?
BA: No hints. Nothing.
TW: It felt like you lived and breathed New Orleans in 100 Bullets: The Hard Way; Have you vacationed there and if so, for how long?
BA: Yeah, I’ve been there a number of times. I’m going again this winter.
TW: Raymond Carver or Raymond Chandler?
BA: Oh man, that’s hard!
TW: If you had to pick.
BA: If I had to pick? I can’t! I can’t pick…no! That’s tough! You know, on one hand it’s like…you go with Chandler, but…if you go with Carver, there’s so much more stories.
TW: Well I know you’re a fan of minimalism and economy of dialogue, and Carver was great at doing that.
BA: Oh yeah, I think so too. He would use the fewest amount of words to just bum the piss out of you.
(laughs)
TW: I found out today that you enjoy cooking. What’s your favorite recipe?
BA: Oh god, I don’t know. I cook all the time. It’s probably…five nights a week, sometimes six. I just got a new grill so I’ve been grilling every night.
TW: I got a Sunbeam a few months ago and took a ’phd in grilling’.
BA: See now, I had a gas grill, and all the guts had to be replaced, so like, in between doing that, I just pulled out a little smoky grill, and I’m using that thing again. I forgot how wood makes food taste. Then after a while I got this thing called the Big Green Egg. It’s this big, ceramic, wood fire grill, like a kiln. It’s all ceramic.
TW: I used to be a prime rib fan and now I’m all for Porterhouse.
BA: Oh, yeah! Porterhouse, you get the two best cuts.
TW: Why did you decide to humanize Killer Croc?
BA: He needed it. I mean, I think…I think the Batman villains work better if they’re human. ‘Cause he…Killer Croc started out as human! I just brought him back to his roots is all.
TW: Have you ever considered doing anything with Swamp Thing?
BA: Probably not. We talked about it, but I don’t think so. Not at this point, anyway.
TW: What was the last comic you read that humbled you?
BA: Whew, geez.
TW: Something that really blew you away.
BA: Let me look here. I’m looking at, like, all the recent stuff I got. Oh, well the last thing that really, really blew me away was Joe Kubert’s Yossel. A hardcover came out from, I think IDW…the publisher. I-Books rather was the publisher.
TW: I read Ex Machina right after Cage and it just hit me like a ton of bricks.
BA: They’re two different tons, too. (laughs) Brian (K. Vaughn) comes from a completely different place than I do with his stories.
TW: Frank Miller took Batman backward and forward. Mark Waid took the entire DC Universe into the future. Will you ever pen an aging icon in the industry?
BA: Man, I don’t know. I have no clue.
TW: (exasperated) I gotta say, you’re a tough interview! (laughing)
BA: Yeah, I’ve heard that before.
TW: I keep hoping I’m gonna hit some landmine here…
BA: Yeah, well, working on the company of characters right now, it’s just, it’s not anything I really want to do.
TW: Well, I know that working on superheroes isn’t what you enjoy…
BA: No, it’s not what I enjoy, and after working on ‘em, it’s…I know why I don’t enjoy them! (laughs) It seems like a lot of the stuff…the whole point is to get to the punch, and that’s kind of juvenile. Especially when there’s guns around.
TW: Speaking of guns, Sgt. Rock: Between Hell and a Hard Place was very good.
BA: Thanks. That was a good experience, working with Joe (Kubert). I mean…it…I’ve been lucky with my artists, know what I mean?
TW: What would you like your epitaph to say?
BA: One more for the road (laughs)
TW:How did Jim Lee talk you into a chat room with Kilgore Trout? The interview came off with this particular fan boy as a bit obnoxious.
BA: With Kilgore?
TW: Yeah.
BA: I don’t know if he was obnoxious, he just like…ehh…I think he was a little close-minded. It’s not just him, but a lot of people have very, very specific ideas of what these characters are and how they’re supposed to operate. And if you deviate from those, you are, you don’t understand them.
TW: They hang on too tight.
BA: Yeah, you know, and it’s…yeah.
TW: You’ve mentioned that you don’t have any plans to work with Jill (Thompson, Azzarello’s wife) on anything, but do you two compare notes, or…
BA: We talk about stuff, yeah. That’s one of the reasons why we probably won’t work together.
It’s much better to approach each other’s stuff with a fresh eye.
TW: (exasperated) That’s all I’ve got! I put two weeks of work into these questions!
BA: Well, do you wanna revisit some of these questions? You can pull something else out if you want.
TW: (sighs) I uh…really wanted to reread more of your stuff. I got to volume four of 100 Bullets and have been tied up with a lot of other things, reading other things. What are you working on right now?
BA: What was I working on today when you called? 100 Bullets.
TW: Are you one of those writers who gets up at the asscrack of dawn at 6 am with a cup of coffee and goes to work?
BA: I usually am up about six or seven. Coffee, newspaper, sit down…
TW: You said once before that you wanted to do a sequel to Johnny Double. Is that on the horizon?
BA: No, I doubt that’ll ever happen right now. There’s other things goin’ on. The next…after Loveless, right now, I’m in development with for three graphic novels. One a year for the next few years.
TW: Do you see any other spinoffs with any of your work? Once 100 Bullets is done, do you see any of the peripheral characters off on their own?
BA: Not for me. When it’s done it’s done, as far as I’m concerned. Unless I’m broke and say, ‘Hey, let’s go back’.
TW: I heard that DC approached Alan Moore to do a sequel to Watchmen and it just seems wrong.
BA: Eh, it doesn’t hurt to ask. The guy could say yes. After 100 issues of 100 Bullets, though, I’m pretty sure it’ll be done.
TW: Did you have the storyboards and the outline worked out from the first issue?
BA: Our original contract was for just a year. So…I kinda…a decision had to be made. Can you get this down to a year or maybe eighteen months. If it’s not doing well, we’ll give you six issues to wrap it up. That was an option. Instead I just said, well, I said yes. I said I could do it…but there was no way I coulda done it. So I figured, we’ll just tell the twelve and if that’s all we tell that’s all we tell. Fine.
TW: What’s it been like working with Jim Lee? He seems a bit more traditional than a lot of the artists that you’ve worked with. Corben’s got a very recognizable look and Risso has a very distinct style.
BA: Well, so does Jim. As far as the superhero stuff goes, I don’t know if there’s anyone any better than Jim. Working with him, I didn’t treat him any differently. I left him a lot of room to improvise…especially the fight stuff that was in there. I left that kind of choreography to him…how to do it. ‘Cause he does it better than me.
TW: I think that’s everything I’ve got. I appreciate you taking the time out for me.
BA: (laughs) I mean, I’m a terrible self-promoter.
TW: You’d rather let the work speak for itself.
BA: Absolutely. I don’t want to be a celebrity. The point of my life is to work.

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Clarence Sun Print Interview

April 15, 2015
Mockery by Tom Waters: An essay collection formatted to mimic a standup comedy act.

Mockery by Tom Waters: An essay collection formatted to mimic a standup comedy act.

Two weeks ago Clarence Sun Editor Alicia Greco interviewed yours truly for a feature interview leading up to my recent reading and book signing at Milkie’s On Elmwood.  Whelp, the interview ran on Saturday and the book event was a real hit at Milkie’s and I liked the venue so much that I booked it again in the fall!  To read Greco’s interview, just click on the pretty link:

You’ll find our interview on Page 2.  Kudos to Alicia for doing a great job of balancing information with revelation.

As for the reading, I have some video clips from the show that I’m working on, so you’ll see those soon.  Last week was a busy one so I’m playing catch up.  Talk to you soon!

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Big Words Radio Episode 69: ‘Common Motherf#$@*ers’

February 9, 2012

To be completely honest, I went into the studio with the preconceived notion that cartoonist Tom Beland was going to be pretty square as a guest.  Having only met radio host Michael Hoffert Jr. before, I also assumed that his soft-spoken demeanor wouldn’t gel well with the spirit of Big Words Radio.  You know what they say about assuming.  I was wrong on both counts.  Beland was a riot once he opened up and Mr. Hoffert balanced out my random insanity with a lexicon of rote knowledge about the comics industry as well as a genuine zeal for the art form.  Here is your synopsis:

 

Episode 69: ‘Common Motherf#$@*ers

Tom & Executive Dual Host Michael Hoffert Jr. (‘It Came From The Longbox’) talk with writer/cartoonist Tom Beland (‘True Story, Swear To God’) via ‘The Skype’ about romance, comics, profanity, stand-up comedy and smoking too much weed.

 

-To hear the show on the Think Twice Radio roster, click your way over to:

http://www.thinktwiceradio.com/tom-waters/tom-waters.html

 

-To hear every episode in the history of Big Words Radio including bonus clips, bonus episodes and outtakes, click on:

http://www.bigwords.mevio.com

 

-In addition, you can subscribe to Big Words Radio for free on ‘the iTunes’ by searching ‘Big Words Radio’ in Podcasts and selecting the Comedy listing.

 

My apologies and thanks to Tom Beland and Mike Hoffert for assuming the worst only to discover that they brought their A game to the table.  This was a great show and after we taped, I came to the conclusion that it was a great show whether I was a part of it or not.  Tom opened up with some personal information he’s never offered before.  Mike (who’s used to discussing newly released comics rather than talking to their creators) truly shined when he had a chance to talk to one of his heroes.  All I did was insert my usual brand of insanity into the program.  It was a neat blend of personalities that made for an entertaining listen.

We’re setting our sights for unusual game next month.  Co-host William Dyson (who’s the very definition of bizaare) and myself will be talking to Buffalo rapper Art Shepard/a.k.a. ‘Lex’ about his debut album.  Last year, Big Words Radio got ‘back to its roots’ and I focused more on intriguing guests instead of brand name celebrities with stock responses.  It paid off.  This year, I’ll be getting back to the artists (local and national) who are more deserving of a wider audience.  While the show is erratic and goofy and all over the place most of the time, there is a definitive blueprint that I’m trying to reinforce.

Playing outside the boundaries of the traditional interview remains the framework for a show that’s been anything but formulaic.

Cheers,

Tom

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Big Words Radio Episode 68: ‘I Was Wakened By Rage’

January 16, 2012
We definitely started the New Year with a bang.
    Yesterday’s show was unpredictable, volatile and flat-out hilarious.  Atomic Don contends that it’s the best interview I’ve done on the show thus far.  I’ll say that it definitely belongs in the top ten.  Here’s your synopsis:
Episode 68: ‘I Was Wakened By Rage’
Tom aggravates the bejesus out of artist Tony Millionaire (Maakies, The Drinky Crow Show) by waking him up earlier than his regularly scheduled noon morning perambulations. Atomic Don does his best impression of Ed McMahon and the boys regale each other with tales of hard drinking, great cartooning, Newt Gingrich and anti-Semitism.
-To hear the show in full audio quality click on over to:
http://www.thinktwiceradio.com/tom-waters/tom-waters.html
-To hear all 100+ episodes including bonus shows and additional clips click on over to:
http://www.bigwords.mevio.com
-You can also subscribe to The Big Words I Know By Heart Radio Hour for free on ‘The iTunes’ by searching ‘Big Words Radio’ in the podcast section and clicking on the Comedy listing.
    We knew Tony Millionaire was going to be a good fit for the show, but I had no idea that he was going to be ideal.  The man was literally engineered for Big Words Radio.  A huge thank you goes out to Tony, Atomic Don and Producer Richard Wicka for orchestrating the perfect storm for our first foray into Season Five.  While Atomic Don gets a ‘runner’s high’ after jogging around for a few hours, I can always tell when we’ve had a good show because I get a warm, fuzzy feeling that lingers after we’re done taping.  This was one of those shows.
    Cartoonist Tom Beland (True Story, Swear To God) is on deck for February 7th along with co-host Michael Hoffert Jr. (It Came From The Long Box).  We’ve all got a tough act to follow, but it looks like Season 5 is off to one hell of a great start.
Enjoy,
Tom Waters
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